Matt Murphy
Rarely has rock ‘n’ roll looked and sounded as boring and tedious as it does in the strange Broadway mess that is Almost Famous (Bernard B. Jacobs Theatre, booking to April 9, 2023). This is odd, as the musical is based on the popular Oscar-winning film, written and directed by Cameron Crowe, who also wrote the book and lyrics for the stage show (music and other lyrics by Tom Kitt).
Semi-autobiographical, it features teenage journalist William Miller (Casey Likes) as he wheedles his way, by faking being much older on the phone, into following a dysfunctional rock band called Stillwater to make his writing debut in Rolling Stone in 1973. The result, on stage, is wince-inducing—a leaping, sing-songy, wishy-washy, toothless, sanitized, and humorless version of what that era of rock ‘n’ roll was.
In Almost Famous’ mind, as its blurb promises, “William is thrust into the rock-and-roll circus, where his love of music, his longing for friendship, and his integrity as a writer collide. Almost Famous is a spirited tale of fandom, family, and the unforgettable characters you’ll meet along the way.”