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The next ‘Star Wars’ series, ‘Andor,’ could look a lot different than ‘Obi-Wan Kenobi’ — thanks to it leaning into ‘old school’ practical sets<!-- wp:html --><p>"Andor."</p> <p class="copyright">Disney+</p> <p>Past Disney+ "Star Wars" shows used technology called StageCraft, a giant wraparound LED screen.<br /> The next "Star Wars" series, "Andor," avoided it in favor of practical sets, its creator Tony Gilroy said.<br /> "We're old school," Gilroy told Empire Magazine.</p> <p>A new "Star Wars" series, "Andor," is coming to Disney+ next month, and it could look a lot different than the streaming service's other live-action "Star Wars" shows.</p> <p>That's because it didn't use the technology that those other shows did, called StageCraft — a type of "volume" created by the visual-effects company ILM that is basically a wall composed of giant LED screens that wraps around a film set.</p> <p>The volume on a set is typically the space where a green screen would be located and images would be created. In the case of StageCraft, the images are on the screens for the actors to actually see in real time, creating the perception that they are in a physical environment.</p> <p>And, as <a href="https://techcrunch.com/2020/02/20/how-the-mandalorian-and-ilm-invisibly-reinvented-film-and-tv-production/">TechCrunch</a> noted, the images aren't static — they alter as the camera moves. </p> <p> </p> <p>But "Andor," a spinoff of the "Star Wars" standalone movie "Rogue One" that premieres on September 21, avoided Stagecraft and opted instead for building practical sets, according to "Andor" creator Tony Gilroy.</p> <p>"Yep, we're old school," he told <a href="https://www.empireonline.com/tv/news/star-wars-andor-doesnt-use-volume-says-tony-gilroy-exclusive/">Empire Magazine</a>. "We didn't use StageCraft at all."</p> <p>StageCraft was utilized on the first "Star Wars" live-action series "The Mandalorian," and then again for "The Book of Boba Fett" and "Obi-Wan Kenobi."</p> <p>"It's exactly the same sort of technology as the large LED screens you see in Times Square," Richard Bluff, the "Mandalorian" visual-effects supervisor, told <a href="https://www.starwars.com/news/the-mandalorian-stagecraft-feature">StarWars.com</a> in 2020.</p> <p>"What we wanted to do was shoot on a small stage with small physical sets that could be wheeled in and out fairly quickly and then extend those physical sets on the wrap-around LED wall," he said.</p> <div class="read-original">Read the original article on <a href="https://www.businessinsider.com/star-wars-andor-show-ditches-digital-volume-practical-locations-sets-2022-8">Business Insider</a></div><!-- /wp:html -->

“Andor.”

Past Disney+ “Star Wars” shows used technology called StageCraft, a giant wraparound LED screen.
The next “Star Wars” series, “Andor,” avoided it in favor of practical sets, its creator Tony Gilroy said.
“We’re old school,” Gilroy told Empire Magazine.

A new “Star Wars” series, “Andor,” is coming to Disney+ next month, and it could look a lot different than the streaming service’s other live-action “Star Wars” shows.

That’s because it didn’t use the technology that those other shows did, called StageCraft — a type of “volume” created by the visual-effects company ILM that is basically a wall composed of giant LED screens that wraps around a film set.

The volume on a set is typically the space where a green screen would be located and images would be created. In the case of StageCraft, the images are on the screens for the actors to actually see in real time, creating the perception that they are in a physical environment.

And, as TechCrunch noted, the images aren’t static — they alter as the camera moves. 

 

But “Andor,” a spinoff of the “Star Wars” standalone movie “Rogue One” that premieres on September 21, avoided Stagecraft and opted instead for building practical sets, according to “Andor” creator Tony Gilroy.

“Yep, we’re old school,” he told Empire Magazine. “We didn’t use StageCraft at all.”

StageCraft was utilized on the first “Star Wars” live-action series “The Mandalorian,” and then again for “The Book of Boba Fett” and “Obi-Wan Kenobi.”

“It’s exactly the same sort of technology as the large LED screens you see in Times Square,” Richard Bluff, the “Mandalorian” visual-effects supervisor, told StarWars.com in 2020.

“What we wanted to do was shoot on a small stage with small physical sets that could be wheeled in and out fairly quickly and then extend those physical sets on the wrap-around LED wall,” he said.

Read the original article on Business Insider

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