Fri. Nov 8th, 2024

Is Britney Spears and Elton John’s Fun Single ‘Hold Me Closer’ the Beginning of Her Comeback?<!-- wp:html --><p>Tim Mosenfelder/Getty Images</p> <p>Britney’s back, bitch.</p> <p>After weeks of teases, nostalgic cover art, and a bizarrely <a href="https://www.instagram.com/p/ChmsgvAjY-_/">haphazard debut at a French restaurant</a>, <a href="https://www.thedailybeast.com/how-the-vaticans-charity-spent-millions-on-elton-johns-rocketman-biopic">Elton John</a> has released “<a href="https://www.youtube.com/watch?v=8hLtlzkoGPk">Hold Me Closer</a>,” his new collaboration with <a href="https://www.thedailybeast.com/kevin-federline-needs-to-keep-britney-spears-name-out-of-his-mouth-and-get-a-real-job">Britney Spears </a>that officially ends her six-year musical drought.</p> <p>And what a thirst-quencher it is. Spears’ track record of collaborations hasn’t always been stellar—for every Madonna and Rihanna smash she’s had, there’s been an unfortunate Iggy Azalea or G-Eazy misstep. Thankfully, this one’s a winner that finds Spears back in a familiar club groove, only slightly shedding the robo-Britney vocal effects that plagued her post-<em>Blackout</em> releases and instead unlocking the deeper register we (finally) got to hear on her last studio album, 2016’s underrated <em>Glory</em>.</p> <p><a href="https://www.thedailybeast.com/is-britney-spears-and-elton-johns-fun-single-hold-me-closer-the-beginning-of-her-comeback?source=articles&via=rss">Read more at The Daily Beast.</a></p><!-- /wp:html -->

Tim Mosenfelder/Getty Images

Britney’s back, bitch.

After weeks of teases, nostalgic cover art, and a bizarrely haphazard debut at a French restaurant, Elton John has released “Hold Me Closer,” his new collaboration with Britney Spears that officially ends her six-year musical drought.

And what a thirst-quencher it is. Spears’ track record of collaborations hasn’t always been stellar—for every Madonna and Rihanna smash she’s had, there’s been an unfortunate Iggy Azalea or G-Eazy misstep. Thankfully, this one’s a winner that finds Spears back in a familiar club groove, only slightly shedding the robo-Britney vocal effects that plagued her post-Blackout releases and instead unlocking the deeper register we (finally) got to hear on her last studio album, 2016’s underrated Glory.

Read more at The Daily Beast.

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